Individual Project Research - Creativity and Standards Task Essay

Individual Project Research - Creativity and Standards Task - Essay Example The standards, included into the review, are regarded as the part of the world’s technological development, and it is hard to imagine the scientific, practical, and educational aspects of engineering and communication without accepting the unified standards. As for the organizations and companies, included into the research, the paper is intended at analyzing the usefulness of these organizations for the entire engineering sphere, as well as for the network development, and computer communication technologies in particular. Technical project management part of the paper is focused at arranging proper training, education, and qualification improvement as a communications and network-engineering specialist. Standards and Organizations The key organizations that set up communications and network engineering standards are not restricted with the national borders. Considering the global nature of the communication technologies, it should be emphasized that the actual importance of the standards is explained by the necessity to keep the technologies, as well as new projects, compatible with the different Operational Systems, devices, and equipment. On the one hand, these standards may restrict some innovative initiatives; on the other hand, standards are aimed at preventing the war of formats. Considering the key standards of the communication and network engineering, it should be emphasized that the actual importance of the standardization is closely associated with the opportunity to prevent particular engineering disputes, and lead the R&D efforts in the single direction. The list of the most significant standards of the computer communication and network engineering sphere are mainly linked with the data safety, information exchange principles, problem diagnosis, and data structuring aspects of the engineering process. Therefore, the key standards are as follows: 1. ISO / IEC 18028-4: 2005. The key objective is to improve the data transmission safety optio ns, and guarantee the reliability of the computer communication protocols. This standard is helpful for developing protected communication projects, as well as increasing the encryption level of the confidential information. 2. ISO / IEC 14165-241: 2005. Fibre channel development regulation is intended at adapting the communication process for the optical fibre technology. Despite of the fact that optical networks are regarded as the best option for high speed data transmissions, the technology stays expensive enough. Developing this standard is essential for improving the quality of the connections, as well as advancing the technical aspect, and making the technology cheaper. 3. ISO / IEC 18092: 2004. NFCIP-1 communication control is essential for synchronizing and regulating the device communication process on comparatively low frequencies. Therefore, while high frequencies are featured with comparatively high energy consumption, the improvement of the 13.56 MHz technology is sign ificant for lowering the energy consumption, as well as reducing losses common for the high frequency transmission. 4. ISO 13400-1: 2011. Diagnostic communication standards are essential for developing the solution tools, needed for defining vehicle interface communication problems. Working with this standard can be helpful for increasing technological and problem-solving experience, which can be applied to any network engineerin

Rembrandt Van Rijn's Paintings Term Paper Example | Topics and Well Written Essays - 1750 words

Rembrandt Van Rijn's Paintings - Term Paper Example The paper "Rembrandt Van Rijn's Paintings" explores â€Å"The Blinding of Samson† and â€Å"The Avenge of Samson† by Rembrandt van Rijn. While there have been identified more than 400 original works by Rembrandt that have lived through centuries, no one doubts that in the past there existed many more which, unfortunately, have either been lost or destroyed. Today one may savor the beauty and emotional depth of a variety of portraits created by Rembrandt back in the 17th century. However, what is even more appealing for a modern viewer is Rembrandt’s paintings devoted to the Biblical themes and based on the events either from the Old or New Testament. It is hard to say why exactly, but the Biblical story of the Hebrew hero Samson, who was known to possess inordinate strength and was kind of God’s champion, was particularly interesting to Rembrandt. The art scholars attribute 5 original works by Rembrandt devoted to Samson’s life events. The Blinding of Samson (1636) is probably the most famous of them. Interestingly, it has been found that one more painting that explored the Samson motif was created by Rembrandt almost immediately after The Blinding of Samson. The Avenge by Samson (1638) was completed two years later and was kept in a private collection of Rembrandt’s powerful patron Prince Frederick Hendrick of Orange during his lifetime. Allegedly, it was destroyed during the fire of 1712 or was stolen at the moment of panic in the burning house where it was kept. This paper seeks to explore the meaning., historical context and the form of The Blinding of Samson and, based on this research, hypothesize what the details of The Avenge of Samson might have been. It also focuses on the place these artworks had/might have had in the career of their author – Rembrandt van Rijn. The Blinding of Samson: Form, Meaning and Historical Context The Blinding of Samson was created back in 1636. At that time, artists typically used natural materials that they made themselves, most often oil. The Blinding of Samson is not an exception to that rule. It is written in oil on canvas and it is quite large (235x302 cm). While the painting is an example of the Baroque art and represents the Biblical episode, it is quite naturalistic. It can be attributed to the author’s careful use of form. In particular, this artwork exemplifies â€Å"the dark manner† which was introduced by Rembrandt’s predecessor Caravaggio. In this painting, Rembrandt used luxuriant brushwork which combined with rich color and masterful use of chiaroscuro (the technique of treatment of both light and shade). Specifically, his brushstrokes are, as usual, broad and thick. Also, it is these layers of glaze that evidently provide scenes with extra depth and also gravity. Critics claim that these technique helped Rembrandt depict the mood as well as inner mental feeling of the figures since it accentuated their physical featur es along with expressions on their faces (Encyclopedia of Art, visual-arts-cork.com). In relation to this, Armold Houbraken, a painter and a contemporary of Rembrandt who was familiar with the way the great Dutchman worked described that very often his artworks â€Å"looked as though the paint has been smeared on with a bricklayer’s towel† (van de Wetering 5). Yet, it is this working method that allows his paintings to create an extremely light